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Aestheticization of Sense in Michel Henry’s Phenomenology. P. 60–70
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Section: Philosophy, Sociology, Politology
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(pdf, 3.5MB )
UDC
130.121:18
Authors
Ekaterina S. Mishura
National Research University Higher School of Economics; ul. Staraya Basmannaya 21/4, str. 1, Moscow, 105066, Russian Federation; e-mail: ekaterinavasilieva15@gmail.com
Abstract
Michel Henry is an influential French phenomenologist, whose philosophy has been poorly presented
and studied in Russia. First of all, this philosopher is known for his research into the phenomenology of
life and affectivity, as well as for his analysis of abstract painting. This article is an attempt to substantiate
the connection between Henry’s epistemological and aesthetic reflections. In particular, the paper shows
that aestheticization of sense is a result of the epistemological project of non-intentional phenomenology
by Michel Henry. The source of all meaning in Henry’s philosophy is the proto-phenomenon of life, which
is purely affective. From Henry’s perspective, intentional sense formation described by Edmund Husserl
is incapable of perceiving these affective meanings without distortion. As a result, the process of sense
formation inevitably becomes a domain of affectivity. The author of this article suggests that aesthetic
experience is the most affective field of experience that allows one to establish a correspondence
between inner experience and external expression. As a consequence, it becomes the most meaningful
realm in Henry’s philosophical project. In the first part of the article the author reveals the main
points of Henry’s nonintentional phenomenology, which transforms the active conscious subject into
a passive and affected one. The second part of the article provides a more detailed description of the
proto-phenomenon of life, which is central to Henry’s philosophy. In conclusion, the author turns to
Henry’s aesthetic heritage and shows that aesthetic experience is the most meaningful experience
within Henry’s phenomenology.
Keywords
Michel Henry, nonintentional phenomenology, Husserl in Henry’s conception, protophenomenon of life, aesthetic experience, aestheticization of sense
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