
Vestnik of Northern (Arctic) Federal University.
Series "Humanitarian and Social Sciences"
ISSN 2227-6564 e-ISSN 2687-1505 DOI:10.37482/2687-1505
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Legal and postal addresses of the founder and publisher: Northern (Arctic) Federal University named after M.V. Lomonosov, Naberezhnaya Severnoy Dviny, 17, Arkhangelsk, 163002, Russian Federation Editorial office address: Vestnik of Northern (Arctic) Federal University. Series "Humanitarian and Social Sciences", 56 ul. Uritskogo, Arkhangelsk
Phone: (818-2) 21-61-20, ext. 18-20 ABOUT JOURNAL |
Section: Philosophy, Sociology, Politology Download (pdf, 3.5MB )UDC130.121:18AuthorsEkaterina S. MishuraNational Research University Higher School of Economics; ul. Staraya Basmannaya 21/4, str. 1, Moscow, 105066, Russian Federation; e-mail: ekaterinavasilieva15@gmail.com AbstractMichel Henry is an influential French phenomenologist, whose philosophy has been poorly presented and studied in Russia. First of all, this philosopher is known for his research into the phenomenology of life and affectivity, as well as for his analysis of abstract painting. This article is an attempt to substantiate the connection between Henry’s epistemological and aesthetic reflections. In particular, the paper shows that aestheticization of sense is a result of the epistemological project of non-intentional phenomenology by Michel Henry. The source of all meaning in Henry’s philosophy is the proto-phenomenon of life, which is purely affective. From Henry’s perspective, intentional sense formation described by Edmund Husserl is incapable of perceiving these affective meanings without distortion. As a result, the process of sense formation inevitably becomes a domain of affectivity. The author of this article suggests that aesthetic experience is the most affective field of experience that allows one to establish a correspondence between inner experience and external expression. As a consequence, it becomes the most meaningful realm in Henry’s philosophical project. In the first part of the article the author reveals the main points of Henry’s nonintentional phenomenology, which transforms the active conscious subject into a passive and affected one. The second part of the article provides a more detailed description of the proto-phenomenon of life, which is central to Henry’s philosophy. In conclusion, the author turns to Henry’s aesthetic heritage and shows that aesthetic experience is the most meaningful experience within Henry’s phenomenology.KeywordsMichel Henry, nonintentional phenomenology, Husserl in Henry’s conception, protophenomenon of life, aesthetic experience, aestheticization of senseReferences
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